Uproar Over White Supremacist Film & Yeagley's Role In It Continues
Three more websites have joined in condemning "Prisoners of the Past," which featured Yeagley and two other prominent white supremacists being quoted as "experts" on indigenous people.
First is an article which also decried Wikipedia's censorship of what is widely known about Yeagley within the Comanche Nation, that he is NOT one of them.
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http://intercontinentalcry.org/anti-indigenous-propaganda-film-aires-on-swedish-tv/
Anti-Indigenous Propaganda film airs on Swedish TV
By Intercontinental Cry
This past Monday,
Swedish Television aired “Historiens Fångar” (History’s Prisoners) - an anti-indigenous propaganda film that claims there are no traditional Indigenous cultures left in the world, and that the only chance of survival for the remaining ‘drunk and pathetic few’ is through assimilating into colonial society. “
The most notable voice in the program,” Jim Barrett explains, is Keith Windschuttle, author of “the Fabrication of Aboriginal History, a controversial book that attempts to resurrect an array of colonial fallacies toward indigenous people: that colonization was justified, “that Australia was never truly owned by its original inhabitants, that they were too savage to understand such a concept as property, too primitive to organise a war and too vulnerable to survive settlement.”
Another speaker in the film is David Yeagley, who, according to Wikipedia (once upon a time. The page has been gutted) is “a white supremacist who poses as a Comanche Indian. He was mistakenly enrolled in the Comanche Nation because the stepmother who adopted him is Comanche.
He falsely claims descent from the Comanche leader, Bad Eagle (1839-1909). Comanche elders and members of the tribal government all deny he is actually Comanche.
In 2006 Yeagley, his employer David Horowitz, and Front Page magazine used legal threats to try to silence Kiowa activist Cinda Hughes and the Native American Times for revealing his impersonation.
Apparently, the film also features someone from “One Nation United,” a privately funded, anti-Indian lobby group based out of Oklahoma.
The social and political integrity of these characters speaks directly to the legitimacy of the position maintained in the film. It’s propaganda — a film drenched in archaic and biased, insulated opinions that will utterly misinform every viewer. But don’t take my word for it. See it for yourself. “History’s Prisoners.” It is currently available online. (it’s in English). It’s also set to air on Swedish TV once more, this coming Sunday.
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Then an anthropology site took the film to task for its stereotypes:
http://openanthropology.wordpress.com/category/colonialismimperialism/
Anti-Indigenous Film Broadcast in Sweden
By Open Anthropology
Ideologies designed to undercut any indigenous claims to their identities and territories have long been a part of Eurocentric imperialist propaganda, with the hope that the home audience will be consume this ideological material. Indigenous peoples know where they stand and are not likely to be “persuaded” by assertions that they do not exist.
In anthropology today, for example, once again we see the revival of arguments that indigenous peoples do not exist as such, at best they are ethnic minorities. There is indeed a debate that has been generated in part by the writings of Adam Kuper that the very concept of “indigenous” implies primitivism, exoticism, and racism, without however asking who reads it as such, and without investigating the myriad ways in which the concept is redeployed, adapted, and articulated by indigenous peoples themselves in the present.
There are two sides to a Catch-22 situation that has been set up for indigenous peoples:
One side is what I call anti-indigenous essentialism: indigenous cultures are those encountered in 1492, and since they are no longer identical to the cultures of that time, indigenous peoples have ceased to exist culturally, and even biologically if they dared to commit the sin of creating families with peoples of other nations. Thus an indigenous person today, who is seen to wear jeans and speak English, as two random examples, has his or her head forced under the water of anti-indigenous essentialism for daring to not be a carbon-copy replica of the past, for failing to be a breathing museum piece.
The other side is what I call anti-indigenous anti-essentialism: those indigenous groups that claim long historical continuity, that continue to wear traditional costumes during special ceremonies, that claim unbroken ancestry, are charged with being frauds. All cultures change, goes the argument, so anyone trying to show seamless continuity is simply putting on a show.
If you accept either of those sides of the debate, you find yourself in a Eurocentric Catch-22 designed to make the very idea of “indigenous” implode.
-------------
Then from First Nations Skyvillage, a call for people to protest to the film's makers and the network broadcasting it:
http://groups.google.com/group/first-nations-skyvillage/browse_thread/thread/19e2ee040b425d26?hl=en
If you would like to express your outrage about this film, you can write the Director, Poul Erik Heilbuth, at plh@dr.dk. You can also write to the documentary department of Swedish TV for airing it, dokumentarfilm@svt.se
First is an article which also decried Wikipedia's censorship of what is widely known about Yeagley within the Comanche Nation, that he is NOT one of them.
-------------
http://intercontinentalcry.org/anti-indigenous-propaganda-film-aires-on-swedish-tv/
Anti-Indigenous Propaganda film airs on Swedish TV
By Intercontinental Cry
This past Monday,
Swedish Television aired “Historiens Fångar” (History’s Prisoners) - an anti-indigenous propaganda film that claims there are no traditional Indigenous cultures left in the world, and that the only chance of survival for the remaining ‘drunk and pathetic few’ is through assimilating into colonial society. “
The most notable voice in the program,” Jim Barrett explains, is Keith Windschuttle, author of “the Fabrication of Aboriginal History, a controversial book that attempts to resurrect an array of colonial fallacies toward indigenous people: that colonization was justified, “that Australia was never truly owned by its original inhabitants, that they were too savage to understand such a concept as property, too primitive to organise a war and too vulnerable to survive settlement.”
Another speaker in the film is David Yeagley, who, according to Wikipedia (once upon a time. The page has been gutted) is “a white supremacist who poses as a Comanche Indian. He was mistakenly enrolled in the Comanche Nation because the stepmother who adopted him is Comanche.
He falsely claims descent from the Comanche leader, Bad Eagle (1839-1909). Comanche elders and members of the tribal government all deny he is actually Comanche.
In 2006 Yeagley, his employer David Horowitz, and Front Page magazine used legal threats to try to silence Kiowa activist Cinda Hughes and the Native American Times for revealing his impersonation.
Apparently, the film also features someone from “One Nation United,” a privately funded, anti-Indian lobby group based out of Oklahoma.
The social and political integrity of these characters speaks directly to the legitimacy of the position maintained in the film. It’s propaganda — a film drenched in archaic and biased, insulated opinions that will utterly misinform every viewer. But don’t take my word for it. See it for yourself. “History’s Prisoners.” It is currently available online. (it’s in English). It’s also set to air on Swedish TV once more, this coming Sunday.
----------
Then an anthropology site took the film to task for its stereotypes:
http://openanthropology.wordpress.com/category/colonialismimperialism/
Anti-Indigenous Film Broadcast in Sweden
By Open Anthropology
Ideologies designed to undercut any indigenous claims to their identities and territories have long been a part of Eurocentric imperialist propaganda, with the hope that the home audience will be consume this ideological material. Indigenous peoples know where they stand and are not likely to be “persuaded” by assertions that they do not exist.
In anthropology today, for example, once again we see the revival of arguments that indigenous peoples do not exist as such, at best they are ethnic minorities. There is indeed a debate that has been generated in part by the writings of Adam Kuper that the very concept of “indigenous” implies primitivism, exoticism, and racism, without however asking who reads it as such, and without investigating the myriad ways in which the concept is redeployed, adapted, and articulated by indigenous peoples themselves in the present.
There are two sides to a Catch-22 situation that has been set up for indigenous peoples:
One side is what I call anti-indigenous essentialism: indigenous cultures are those encountered in 1492, and since they are no longer identical to the cultures of that time, indigenous peoples have ceased to exist culturally, and even biologically if they dared to commit the sin of creating families with peoples of other nations. Thus an indigenous person today, who is seen to wear jeans and speak English, as two random examples, has his or her head forced under the water of anti-indigenous essentialism for daring to not be a carbon-copy replica of the past, for failing to be a breathing museum piece.
The other side is what I call anti-indigenous anti-essentialism: those indigenous groups that claim long historical continuity, that continue to wear traditional costumes during special ceremonies, that claim unbroken ancestry, are charged with being frauds. All cultures change, goes the argument, so anyone trying to show seamless continuity is simply putting on a show.
If you accept either of those sides of the debate, you find yourself in a Eurocentric Catch-22 designed to make the very idea of “indigenous” implode.
-------------
Then from First Nations Skyvillage, a call for people to protest to the film's makers and the network broadcasting it:
http://groups.google.com/group/first-nations-skyvillage/browse_thread/thread/19e2ee040b425d26?hl=en
If you would like to express your outrage about this film, you can write the Director, Poul Erik Heilbuth, at plh@dr.dk. You can also write to the documentary department of Swedish TV for airing it, dokumentarfilm@svt.se
posted by Dr. Al Carroll at 12:28 PM
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